Hot Brown Bitch Burlesque

I’m performing at this with LOCA! Except I’m doing a poem, not burlesque; I’m also not brown; but hot bitch right? Three shows only, don’t miss it. 

HOT BROWN BITCH BURLESQUE: her body the dish

Starring: Candy Bowers (of Sista She), Lisa Fa’alafi, LOCA, Lilikoi Kaos, Kim Kaos & the notorious Busty Beatz

Venue: Red Bennies, 373 Chapel St, South Yarra Victoria, Australia

Date: Thursday 12th, Friday 13th, Saturday 14th January 2012

Time: 8pm (Doors 7pm)

Tix: $20

http://www.redbennies.com/events/hot-brown-bitch-burlesque-

Upcoming: 2012

It seems I’ve got quite a few spoken word performances lined up during Midsumma: 

I’m also likely to make an appearance at Word is Out Poetry Slam (Mon 23 Jan at H&H) to defend my title from last year.

It’s a pretty amazing program for spoken word this year, partly I think because H&H have 20 shows on to celebrate their 20th anniversary. My picks are Quippings (a night of “freaktastic delights” hosted by Kath Duncan - Tue 31 Jan) and Australia Day Hangover (programmed by OutBlack convenor Bryan Andy - Fri 27 Jan).

I also have some really exciting stuff coming up as part of the Ladies of Colour Agency - wait and see. 

Exotic Escape

textaqueen:

The Ladies of Colour Agency’s “Exotic Escape”

felt-tips on paper, 127 x 97cm, 2011

 Part of We Don’t Need Another Hero, Texta Queen’s drawing series featuring people of colour as outlaws from their post-apocalypse, drawn as if posters for fictional movies. 

The artist says:

As an artist of colour, my racialised existence has inherently informed my work, but this new series explicitly investigates racial politics. I’ve sought out peers from various sociocultural and racial backgrounds to propose characters, costumes, and fictional surrounds to represent themselves as survivors of their armageddon. The post-apocalyptic genre seems a relevant forum to discuss Indigenous and people of colour immigrant experiences living in settler colonial realities.

Subjects include contemporary Indigenous artist Tony Albert in “Yesterday When The War Began’, Samoan circus and burlesque performer Fez Faanana in “Attack of the Under Water Woman”, Indigenous activist Robbie Thorpe in “Armageddon Out of Here”, Papua New Guinean performance artist Pandie Panther in “Uritai Headhunter: Warrior of Paradise”, Colombian hip hop emcee Ben Beracasa aka Clandestine Voice in “When the South Rises” and Indigenous historian and activist Gary Foley in “Creature from the Black Platoon”.

Gallerysmith will host We Don’t Need Another Hero from 13th October 2011. Opening event on Friday 21st October 6-8pm, to be opened by Gary Foley and featuring performance by the Ladies of Colour Agency and tunes by DJ Pandie Panther.

by Aron Hemingway for Melbourne Poetry Map

Online Asian-Australian arts and culture magazine Peril launches Issue 10, “Skin”, featuring stories about comic duo Fear of a Brown Planet, visual artist Gary Lee, trans Japanese celebrity Ai Haruna, Minister Penny Wong, the gentrification of Footscray and a selection of poetry.

  • Friday 8 April 7:30pm
  • Hares & Hyenas, 63 Johnston St, Fitzroy VIC
  • free entry

The launch will include readings and performances by Raja, Lia Incognita, Thuy Linh Nguyen, Janette Hoe, Ria Soemardjo, R. Johns and Benjamin Laird.

Peril thanks the Australia Council, Hares & Hyenas and the ALSO Foundation for their assistance with the launch.

Typography

> click for audio

Chinese-Australian

i hate the hyphen –
feigning simultaneity       rarely available
a horizontal bar
       denying vertical power
       frontal collision

these words are no clasped hands
no piano keys, sister cities
but lines in the sand
guiding police

chineseAustralian

the camelCaps compound is
       rightly awkward
lumbering, burdened, lopsided
— a strange animal bearing
unequal weight, a more subtle metaphor
for hybridity than the mule,
but no less apt — my ancestors too
walked shoeless, spat on the sand,
and were considered ugly
but useful.

Chinese/Australian

i love the slash /

the slant truth
suggestive of my not-too-tilted eyes
glancing                      sideways
a hooded stare anticipating
the racialising gaze

i love the slash
the very word’s violence
the sign a falling wall
 a guarded border
  a porous skin
   a heaving ambivalence

May 2008

I notice women of colour on television, in the paper, across the dance floor. It’s a fractured identity and a tenuous solidarity, I know. But it’s there.

It wasn’t always there. I became a woman of colour only a few years ago, through my involvement in anti-racist networks. When I say someone shares my background, often I mean my background in student activism, and then what might be called radical social justice: a left-wing politics that is, at its best, both intently conscious of subject positions and intelligently critical of identity. […]